Everyday Watercolor by Jenna Rainey

Everyday Watercolor by Jenna Rainey ISBN-13: 9780399579721 Paperback: 224 pages Publisher: Watson-Guptill Released: Oct. 10, 2017

Source: Review copy from the publisher through Blogging for Books.

Book Description, Modified from Goodreads:
This guided watercolor-a-day book is perfect for beginning watercolor artists. From strokes to shapes, this book covers the basics and helps painters gain confidence in themselves along with inspiration to develop their own style over the course of 30 days. Featuring colorful contemporary art from Mon Voir design agency founder and Instagram trendsetter Jenna Rainey.


My Review:
Everyday Watercolor is a how-to for those who want to learn Rainey's bleed-painting watercolor style. In this technique, you paint in the darkest part, then use clean water to wet the lighter areas, and a final stroke joins the two to create a bleed of the dark into the wet areas. She claims you can control the process, but I found her hints about this so vague it was just a matter of trying different things until I liked what I was getting.

Each lesson lasted between 30-90 minutes, with the first few lessons being shortest. In the lessons, you learn how to paint various leaves, flowers (roses, paradise flower), plants (trees, cacti), fruit (papaya, dragon fruit), animals (chickens, hummingbird, toucan, elephant, macaw), and several landscape or collage-like paintings using these objects.

The book is aimed at complete beginners to watercolor, but she wants you to buy expensive, professional-quality watercolor paper, paints, and brushes. I really liked the idea of teaching the basics (color theory, basic strokes for round brushes, etc.) during actual painting practice, but I think a complete beginner would find the book confusing and frustrating at times.

Some examples: On page 13, she tells you to include both warm and cool colors without explaining these new terms (until a later lesson). The illustrations often had confusing subtitles, like two swatches of green paint with "Winsor Green + Lemon Yellow Deep" under them. The way the text was placed, I initially thought one swatch was supposed to be the green and the other the yellow rather than two greens that you can make using those two paints. She frequently urged "add lots of water," leaving it mostly up to the reader to figure out how to keep the paint from escaping the desired bounds. As her technique requires "lots of water" yet "not too much," more advise on this from the very beginning would have been useful to a complete beginner. However, artists who are more used to the runaway tenancy of watercolor will probably turn out some nice finished lessons.


If you've read this book, what do you think about it? I'd be honored if you wrote your own opinion of the book in the comments.


Excerpt: Read an excerpt using Google Preview.